Archive for April, 2008

On Saturday 4/19 I had the honor of photographing Isabella Shannon Ekedal, daughter of Shannon and Ryan Ekedal.  I photographed Shannon and Ryan’s wedding back in March 2006 at the Hyatt Huntington Beach, and I also photographed Shannon’s maternity photos in February.  Well, beautiful little Isabella arrived on March 4 and she couldn’t be more beautiful.
I forget how small babies are at 6 weeks, as it feels like it’s been forever since Emme was that small.  Isabella was a champ and despite getting hungry about halfway through the shoot, she was a perfect baby.








Melissa and Patrick were married on April 12 at Paradise Point. It was an absolutely gorgeous day for a wedding; Melissa and Patrick’s unique style made the day an unforgettable one.
Special thanks to Nely Fok for being such a kick-ass second shooter! Also thanks to Ann Strobel for doing such a great job coordinating things, which isn’t easy to do at a huge place like Paradise Point. Kudos as well to Lois Mathews for the gorgeous floral arrangements!
























Got a call a few weeks back from my old pal David Oates, who runs the PR firm Stalwart Communications.  Dave needed some portraits/headshots done for some promotional purposes.  He wanted something solid, but different from the traditional headshot everyone uses.
I really admire the portrait work of Martin Schoeller, and I tried to add my own flair to his “Close Up” technique on a few with Dave.
The lighting was a bit different from Martin’s setup.  Instead of Martin’s Kino-Flo hot light, I lit Dave with two Nikon SB-800s on a Brewer Bracket (thankfully, this setup has now been replaced by a single Dynalite UniJR 400 w/s strobe), shot through a translucent umbrella.  Using a boom, the strobes were centered and right on top of Dave.  I added another SB-800 camera left and below him to light his jacket a bit and fill in the area below his chin.
We shot this at about 11 AM at a park near Dave’s home, so I knew I’d have a built-in rim light if I just positioned him with his back to the sun.  I put him in front of a small grouping of trees to minimize background distractions, but also give the sense that we weren’t in a studio.